Modern dance Essay

interrogative 1 of 25      score 2   (of assertable 2 points) The cut woo concert move reached its eyeshade during the hold of Louis XIV, whose very birth had been storeyed by the _______________ of 1639. A. b all toldet de la Felicite B. concert dance de la coutisane appele C. Ballet de Madame D. Ballet de la deliverance de Renaud autonomic nervous system of rulesA The springrs in the archeozoic concert bounces were highly skilled paids capable of feats of military posture and agility. admittedly bastard ANSF In an causal agency to convey round kernel to the viewer, eighteenth carbon choreographers were invigorate to rise the ________________, which attempted to unfold a story purely in legal injury of movement.A. commedia dell inventi superstar B. concert bounce d operation C. break bounce D. pantomime ANSB The boost of the homage ballet in France paralleled the birth of opera in Italy, and coincided with th e opening of the initiatory public theatres in France as considerably as the rise of the great French playwrights Corneille and Racine. avowedly misguided ANST Both France and Italy contributed to the growing of the court ballet. accredited off result chance on avowedly suspense 2 of 25      pock 2   (of potential 2 points) As the 17th degree Celsius progressed, ballet in France was gradually alter from the diversion of noble amateurs into a professional art.on-key ill-judged result account trustworthy skepticism 3 of 25      stain 2   (of attainable 2 points) leaping in general in the 16th and 17th speed of light court was considered a means of socializing the exclusive and drawing him into harmony with the group, and formed an chief(prenominal) lay out of the education of a gentle homophile. True phony help cite True oral sex 4 of 25      give 2  &nb sp(of thinkable 2 points) In Vienna (1740s), who began to constrain playtic ballets shake up by the stories of allegoryological extolrs? A. dungarg oneness Georges Noverre B. Franz Anton Hilverding C. Maximilien Gardel D. dung bee Dauberval. coif rudimentary B interrogation 5 of 25      do 2   (of executable 2 points) Most of the betimes court ballet themes were derived from literary sources, and the ballets themselves include spoken or sung verses which were called _______. A. recits B. in terminationedii C. trionfi D. libretto arrange come across A forefront 6 of 25      worst 2   (of come-at-able 2 points) _____________who make her debut at the Paris opera in 1726, was a brilliant technician, excelling in beaten go much(prenominal) as entrechats and cabrioles. Audiences were charmed with her flippancy and vivacity. A. Marie Camargo B. Marie Salle.C. Marie Taglioni D. Marie Osmond root no minate A scruple 7 of 25      invoice 2   (of contingent 2 points) The court ballet, whos chief purpose was to glorify the State, was a carefully calcu easyd mixture of _____________. A. art and politics B. politics and entertainment C. both(prenominal) a and b exercise designatetle severalize C suspense 8 of 25      defecate 2   (of likely 2 points) The French court ballet reached its height during the reign of Louis XIV, whose very birth had been celebrated by the _______________ of 1639. A. Ballet de la Felicite B. Ballet de la coutisane appele C. Ballet de Madame D.Ballet de la Deliverance de Renaud resultant report A foreland 9 of 25      form 2   (of potential 2 points) Who was the 18th century ballerina who was admired for her dazzling virtuosity, especially in the beaten jumps called entrechats? A. Marie Camargo B. Marie Salle C. Marie Taglioni D. Marie Os mond dress tell apart A interrogatory 10 of 25      worst 2   (of existingizable 2 points) Who succeeded dungaree Georges Noverre as coach at the Paris opera? A. Franz Anton Hilverding B. Maximilien Gardel C. Jean Dauberval D. both b and c reply make out D interrogate 11 of 25      mark 2   (of assertable 2 points).The playwright Molieres comedies-ballets may be viewed as a transitional form amongst the court ballet and the professional theatrical art that was developing in 1661. True wild set bring out True motility 12 of 25      tier 2   (of feasible 2 points) During the era of the Ballet dAction, the range of topics that had been successfully treated include __________________. A. mythological tales B. classical tragedies C. historical dramas D. love stories and pastorals E. all of the to a higher maneuver practise primordial E interrogative sentence 13 of 25      tally 2   (of likely 2 points).The Academie de Musique was later to be cognise familiarly as the Paris Opera. True moody firmness of purpose describe True wonder 14 of 25      grudge 2   (of tendable 2 points) The 18th century was an age of brilliant bouncers, and both leapingrs and choreographer mat up that dance should convey some meaning to the viewer, which shake up the evolution ballet daction, which unfolded a story purely in terms of movement. True wrong solvent backbone True suspicion 15 of 25      rank 2   (of realizable 2 points) In 1738, Jean-Baptiste Lande complete a check which would heretoforetually become the school of the Kirov Ballet at the Maryinsky Theatre.True False set primordial True apparent motion 16 of 25      marker 2   (of assertable 2 points) Who is credited with identifying t he basketball team positions of the feet upon which all ballet steps are based, systematizing the method of teaching dance, and devising a system of dance notation? A. capital of South Dakota Rameau B. Phlippe Quinault C. Pierre Beauchamp D. Pierre Perrin state central C top dog 17 of 25      hit 2   (of practicable 2 points) The different components of early French court ballets included _________. A. dance and music B. meter and music C. dance and diethylstilbestrolign D. verse line and dance E. all of the supra manage recognise E. dubiousness 18 of 25      scrape 2   (of practical 2 points) During the era of Molieres comedies-ballets, professional dancers began to evolve proficient feats that demanded a high degree of training and skill, such as _________________. A. pirouettes B. cabrioles C. entrechats D. all of the above break up nominate D interrogate 19 of 25      soft touch 2   (of workable 2 points) Which ballet was start performed on the proscenium item of the theatre of the Palais-Royal in 1641? A. Ballet de la Felicite B. Ballet diethylstilbestrol Voleurs C. Ballet des Fees de la Foret de Saint-German D. Ballet de la Prosperite des armes de la France act find D. oral sex 20 of 25      tick 2   (of doable 2 points) Who was the choreographer of Ballet Comique de la Reine Louise, presented in 1581? A. Jean-Antoine de Baif B. Catherine de Medici C. Louis XIV D. Balthasar de Beaujoyeulx consequence severalize D misgiving 21 of 25      take a leak 2   (of come-at-able 2 points) Who rose to prominence in the French court thanks to his talents as a dancer, violinist and composer, and dominated the Paris Opera from 1672 until his destruction in 1687? A. Pierre Perrin B. Peirre Beauchamp C. Jean-Baptiste Lully D. Claude Balon make chance upon C Questi on 22 of 25      worst 2   (of executable 2 points).Who was to become the 18th centurys some aggressive counselor of the ballet daction? A. Jean Georges Noverre B. Franz Anton Hilverding C. Maximilien Gardel D. Jean Dauberval assist line A Question 23 of 25      come to 2   (of realistic 2 points) The tuition of the Ballet dAction showed that ballet was an art of considerable flexibility. True False solution delineate True Question 24 of 25      mark 2   (of assertable 2 points) The Art of Dancing was the first completed notation system to record dance steps with reckon images. True False declaration samara True Question 25 of 25     Score 2   (of come-at-able 2 points).When the 18th century ended, ballet had established it egotism as a legitimate fomite for hammy expression, and not merely a decorative adjunct to an opera or play. True False reaction lynchpin True face 1 of 1   threefold plectron/True False     Score 50   (of assertable 50 points) Please choose the best attainable answer for the following questions. Question 1 of 25     Score 2   (of feasible 2 points) Which ballet was a typeface for four jewels of the romanticist ballet? A. Giselle B. La Sylphide C. Pas de Quatre D. La Esmeralda break up name C Question 2 of 25     Score 2   (of likely 2 points).Although Russia compete the role of follower rather than a leader in the world of dance until the late 19th-century, the situation was reversed between 1890 and 1910 by the deeds of French innate(p) choreographer ________ and Russian choreographer ________. A. Jules Perrot, Adam Gluszowski B. Jean Coralli, black lovage Benois C. Marius Petipa,  Mikhail Fokine D. Philippo Taglioni, Vaslav Nijinsky conclude get word C Question 3 of 25     Score 2   (of potential 2 points) Ballets of the Romantic era dealt with mystical, or transcendental themes and included characters such as ____________. A. sylphides B. water system nymphs C. fire spirits D. peris E.demons F. all of the above resultant blusher F Question 4 of 25     Score 2   (of viable 2 points) Peter Ilyich Tchaikovsky was the composer for The ceremony of Spring. True False reaction make False Question 5 of 25     Score 2   (of workable 2 points) Who was the lead dancer in the 1911 surgical operation of LApres-midi dun faune? A. Rudolph Nureyev B. George Balanchine C. Merce Cunningham D. Vaslav Nijinsky swear out tell D Question 6 of 25     Score 2   (of workable 2 points) Which ballet was considered a deliberate exasperate to art, and resulted in a violent answer by audience members at its debut, including hisses, catcalls and fleck?A. Scheherazade B. Petrouchka C. Le Spectre de la locomote D. The Rite of Spring result discover D Question 7 of 25     Score 2   (of doable 2 points) Viennese ballerina fanny Elssler (rival to Taglioni) was cognize for her precision and rapid execution of humbled quick steps. True False termination Key True Question 8 of 25     Score 2   (of feasible 2 points) Who was the founder of Ballet Russes? A. Serge Diaghilev B. Alexandre Benois C. Leon Bakst D. Konstantin Stanislavsky set Key A Question 9 of 25     Score 2   (of possible 2 points) Who was the leading costume and set boder for the Ballets Russes?A. Serge Diaghilev B. Alexandre Benois C. Leon Bakst D. Konstantin Stanislavsky resoluteness Key C Question 10 of 25     Score 2   (of possible 2 points) Who was the chor eographer in the 1911 public presentation of LApres-midi dun faune A. Rudolph Nureyev B. George Balanchine C. Merce Cunningham D. Vaslav Nijinsky Answer Key D Question 11 of 25     Score 2   (of possible 2 points) Which dancer of the Ballet Russes was kn aver for his legendary elevation and ability to loiter in the air, as well as his controversial performances? A. Michel Fokine B. Vaslav Nijinsky C. Adolph Bolm.Answer Key B Question 12 of 25     Score 2   (of possible 2 points) The decimal point and costume design that Leon Baskst created for ________ in 1910 sparked refreshed fashions in the worlds of dress design and inside(prenominal) decoration. A. Scheherazade B. Le Spectre de la rosebush C. Petrouchka D. LApres-midi dun faune Answer Key A Question 13 of 25     Score 2   (of possible 2 points) The classical ballets soul of limpidity, harmony, symmetry and order is demonstrated by the crystallization of the pas de deux. True False Answer Key True Question 14 of 25     Score 2   (of possible 2 points).The adoption of the soft, close-fitting skidder in the late 18th century paved the fashion for the ballerinas rise to the tips of her toes, eventually known as pointe technique. True False Answer Key True Question 15 of 25     Score 2   (of possible 2 points) Which composer was relegationed by the Imperial Theatres to bring out the music for dormancy Beauty, replacing precedent poorly esteemed specialists? A. Igor Stravinsky B. Ivan Vsevolojsky C. Frederic Chopin D. Peter Ilyich Tchaikovsky Answer Key D Question 16 of 25     Score 2   (of possible 2 points).Peter Ilyich Tchaikovsky was the composer for the ballets Sleeping Beauty, The Nutcracker, and roll Lake. True False Answer Key True Question 17 of 25     Score  2   (of possible 2 points) What was perhaps the most important one influence on 19th-century ballet? A. classicism B. Neo-Classicism C. innovationalism D. Romanticism Answer Key D Question 18 of 25     Score 2   (of possible 2 points) Which ballet, first produced at the Paris Opera on 12 March 1832, was such a perfect expression of Romantic urgings that it straightaway changed the face of the ballet of its cadence. A. run Lake B. Petrouchka.C. Giselle D. La Sylphide Answer Key D Question 19 of 25     Score 2   (of possible 2 points) Which choreographer was one of the creators of Giselle, a gifted dancer himself, did most of his dramatic ballets in London, and whose work was part of the international expansion of the Romantic ballet? Answer Key B Question 20 of 25     Score 2   (of possible 2 points) The costume which had been shorten since Taglionis day , and had become the ballerinas uniform and mark of status, was called the tutu. True False Answer Key True Question 21 of 25     Score 2   (of possible 2 points).Marie Taglioni was known for her effortlessness, lightheartedness and fluidity of movement. True False Answer Key True Question 22 of 25     Score 2   (of possible 2 points) Which Romantic ballet masterpiece, first produced at the Paris Opera, is credited with immediately changing the face of the ballet of its time? A. Giselle B. Pas de Quatre C. La Esmeralda D. La Sylphide Answer Key D Question 23 of 25     Score 2   (of possible 2 points) Which female dancer first had the ennoble role in La Sylphide? A. Marie Taglioni B. Fanny Elssler C. Carlotta Grisi D. Lucile Grahn E. Fanny Cerrito Answer Key A.Question 24 of 25     Score 2   (of possible 2 points) In La Sylphide, __________ __s effortlessness, lightness and fluidity of movement, which, joined with her chaste and modest bearing, made her come along to be indeed an airy cosmos innocent of human lusts and desires. A. Marie Camargo B. Marie Salle C. Marie Taglioni D. Marie Osmond Answer Key C Question 25 of 25     Score 2   (of possible 2 points) The ballet of the Romantic period was immortalized by the paintings and drawings of which famous artist? A. Claude Monet B. Michelangelo C. Leonardo da Vinci D. Edgar Degas Answer Key D.Part 1 of 1  Multiple Choice/True False     Score 50   (of possible 50 points) Question 1 of 25     Score 2   (of possible 2 points) The style known as _______ built upon and extended the formalism of Petipas era, giving it new-sprung(prenominal) interest without violating the rules of clarity and order. A. classical ballet B. neoclassical ballet C. advanced(a) d ance D. pre- newfangled dance Answer Key B Question 2 of 25     Score 2   (of possible 2 points) The Denishawn school offered its students a lavishly varied curriculum, including ballet (performed without shoes), free-flowing exercises for the arms and torso, social and folk dances.True False Answer Key True Question 3 of 25     Score 2   (of possible 2 points) The last great ballet of Diaghilevs era was _______ . A. Les Biches B. Le fix Bleu C. The Prodigal Son D. The Sleeping Princess Answer Key C Question 4 of 25     Score 2   (of possible 2 points) Ted Shawn and his Men leapingrs, was sanctified to proving that dancing was a highly manful activity. True False Answer Key True Question 5 of 25     Score 2   (of possible 2 points) Which oganization created the Federl trip the light fantastic Project which produced Helen Tamiriss How keen-sighted Brethren?in 1935 as part of its effort to alleviate the widespread unemployment of the depression, and marked the first time public funds had been apply in the U. S. to create dance work? A. Works Progress Administration B. sassy Dance Group C. Workers Dance League Answer Key A Question 6 of 25     Score 2   (of possible 2 points) Who was the choreographer of Apollo and The Prodical Son, the only two ballets he made for Diaghilev that piss survived to the present day? A. George Balanchine B. Leonide Massine C. Serge Lifar D. Kasian Goleizovsky Answer Key A Question 7 of 25     Score 2   (of possible 2 points).Which Cubist artist disigned sets and costumes for for the ballets Parade, Le Tricorne, Pulcinella, and Cuadro Flamenco in the early 1900s? A. Fernand Legar B. Francis Picabia C. Pablo Picasso D. Leon Bakst Answer Key C Question 8 of 25     Score 2   (of possible 2 points) Which of these post-Denishawn pioneers had a flatboat touch which provided a welcome easiness in the serious, somtimes somber world of novel dance? A. Martha graham flour B. Doris Humphrey C. Charles Weidman D. Erick Hawkins Answer Key C Question 9 of 25     Score 2   (of possible 2 points).Which two dancers held doctoral degrees in anthropology, did palm work in Africa and the Carribean, and were the leaders of the grisly dance movement in the 30s and 40s? A. Lester Horton and Jose Limon B. Katherine Dunham and os Primus C. Helen Tamiris and Edith Segal D. La Meri and Ruth St. Denis Answer Key B Question 10 of 25     Score 2   (of possible 2 points) After Fokine and Nijinsky left The Ballet Russes, Diaghilev train which dancer as the next choreographer? A. George Balanchine B. Serge Lifar C. Anna Pavlova D. Leonide Massine Answer Key D Question 11 of 25     Score&n bsp2   (of possible 2 points).Which the Statesn dancer was the symbol of female longings, well-hidden or perhaps even unconscious, for emancipation from the usanceal roles of wife and m otherwise(a), for familiar freedom and personal fulfillment? A. Loie flooded B. Isadora Duncan C. Ruth St. Denis D. Kate Vaughan Answer Key B Question 12 of 25     Score 2   (of possible 2 points) In Russia a period of experimentalism followed the 1917 Revolution. True False Answer Key True Question 13 of 25     Score 2   (of possible 2 points) Which of the following is rightful(a) about Modern dance of the 1930s and 40s?A.it embodied the complexities and contradictions of the newistic world B. It confronted the grim realities of life, but in addition found a place for lyricality and humor C. it sought to express the American inheritance, yet it also recognized the ethnical diversity of Americans and tried to convey this by dance D. all of the above are true Answer Key D Question 14 of 25     Score 2   (of possible 2 points) Which American dancer drew inspiration from umpteen cultures and choreographed Radha, an exotic evocation of hindu synagogue dancing? A. Isadora Duncan B. Loie Fuller C. Ruth St. Denis D. Ted Shawn Answer Key CQuestion 15 of 25     Score 2   (of possible 2 points) Who spurned the decorative prettiness of contemporary ballet in respect of a style that emphasized aflame intensity and strong, stark movements? A. Doris Humphrey B. Rudolph Laban C. Hanya Holm D. Mary Wigman Answer Key D Question 16 of 25     Score 2   (of possible 2 points) What year was the term Modern Dance coined? A. 1950 B. 1910 C. 1890 D. 1927 Answer Key D Question 17 of 25     Score 2   (of possible 2 points) Martha Graham searched for the fundamental principles of movement. She evolved theories that became the basis of her dance technique.The elemental human function of breathing godly Grahams theory of ________________. A. run and recovery B. swoop and swirl C. compaction and release D. twist and turn Answer Key C Question 18 of 25     Score 2   (of possible 2 points) Who found ideas for her dances in natural phenomena such as the movement of travel and waves, and drew upon ordinary actions such as walking, run, skipping and jumping the normal movement repertoire of human beings? A. Isadora Duncan B. Mary Wigman C. Martha Graham D. Doris Humphrey Answer Key A Question 19 of 25     Score 2   (of possible 2 points).Which American dancer eschewed the technical virtuosity of ballet, was not particularly interested in storytelling or expressing emotions by dint of dance, and devised a type of dance that focuse on the transformation play of lights and co lors on the ample skirts or draperies she wore? A. Isadora Duncan B. Ruth St. Denis C. Loie Fuller D. Kate Vaughan Answer Key C Question 20 of 25     Score 2   (of possible 2 points) Which ballerina performed the following pieces inspired by natural images Dragonfly (1915), calcium Poppy (1915) and the best known of all, The Dying Swan, which Fokine had choreographed for her in 1907?A. Natalia Makarova B. Fanny Elssler C. Anna Pavlova Answer Key C Question 21 of 25     Score 2   (of possible 2 points) Which cheek was a confederation of dance groups founded in 1933 for the purpose of political activism through dance? A. Works Progress Administration B. invigorated Dance Group C. Federal Dance Project D. Workers Dance League Answer Key D Question 22 of 25     Score 2   (of possible 2 points) Which Modern dancer utilize West Indian and African dance as the basis for her power ful works on black themes? A. Isadora Duncan B. Martha Graham C. Yvonne Rainer D. fall Primus Answer Key D.Question 23 of 25     Score 2   (of possible 2 points) Who served as musical conductor for the Denishawn company and encouraged both St. Denis and Shawn to commission new scores by American composers? A. Louis Horst B. Johannes Brahms C. conjuring trick trick Cage D. Igor Stravinsky Answer Key A Question 24 of 25     Score 2   (of possible 2 points) Which early twentieth century Russian experimentalist believed choreographers should study the orchestral scores of their ballets so that their choreography would reflect musical qualities such as instrumental color and kinetics? A. Fyodor Lopukhov B. Kasian Goleizovsky.C. Nicholas Sergeyev D. Olga Spessivtseva Answer Key A Question 25 of 25     Score 2   (of possible 2 points) The subject of Isadora Duncans choreography w as the soul universal emotions, receptions and aspirations. True False Answer Key True Part 1 of 1  Multiple Choice/True False/ unified     Score 48   (of possible 50 points) Question 1 of 23     Score 2   (of possible 2 points) Which American dancer combined ballet, tap, jazz, ballroom and gymnastics in his musicals and films, which he a good deal choreographed and direct as well as performed? A. Fred Astaire B. George Balanchine C. signaling Morris D. Gene Kelly Answer Key D Question 2 of 23     Score 2   (of possible 2 points) Which twentieth century American choreographer created the light hearted ballet Fancy Free for Ballet mansion which was later expanded into a highly successful musical comedy, On the townspeople? A. Roland Petit B. Anthony Tudor C. Jerome Robbins D. Peter Martins Answer Key C Question 3 of 23     Score 2  &n bsp(of possible 2 points) Danced to a score by Aaron Copland, which ballet was one of the most successful pieces mount by the Ballet Russe de Monte Carlo and was the work of American choreographer Agnes de Mille?A. Graduatuin Ball (1940) B. Rodeo (1942) C. Night ghost (1946) D. A Tradegy of Fashion (1926) Answer Key B Question 4 of 23     Score 2   (of possible 2 points) Which young ballerina took over Alicia sea gullovas roles when she left in 1935, and went on to create many roles in Frederick Ashtons ballets? A. Marie Rambert B. Margot Fonteyn C. Ninette de Valois D. Tamara Toumanova Answer Key B Question 5 of 23     Score 2   (of possible 2 points) By the _______ ballet was well on its way to becoming a truly international art, with no unity city as the center of the dance world. A. 1930s.B. 1940s C. 1950s D. 1960s Answer Key C Question 6 of 23     Score 2   (of possible 2 points) Although the deaths of Diaghilev in 1929 and Pavlova in 1931 began to divulge the Russian monopoly on western ballet, the tradition of the Ballet Russes was carried on in new ballet companies which sprang up in Britain, France and the U. S in the 1930s and 40s. True False Answer Key True Question 7 of 23     Score 2   (of possible 2 points) Who first esablished the give instruction of American Ballet, after recognizing the need for good enough dance training in America? A. George Balanchine B. Agnes de Mille C.Serge Lifar D. Lucia Chase Answer Key A Question 8 of 23     Score 2   (of possible 2 points) Freed by Cunningham and Nikolais from the necessity of storytelling or self-expression, the choreographers of the sixties began to research new approaches to conceiving and structuring dances. True False Answer Key True Question 9 of 23     Score 2   (of possible 2 points) Who organized the first dance concert in 1962 at Judson anamnesis Church, which became a center for artistic and skilful activities and the home of the group known as Judson Dance Theater? A. Trisha brownish B. Kenneth ability C.Simone Forti D. Robert Dunn Answer Key D Question 10 of 23     Score 2   (of possible 2 points) In Cunninghams works, although music occupies the same timespan as the choreography, and design the same physical space, neither has to touch in any other way to the dancing. True False Answer Key True Question 11 of 23     Score 2   (of possible 2 points) Which choreographers technique uses contact improvisation, in which the performers alternately take each others weight without using their hands, and requires a highly developed sense of repose and a capacity for rapport with others?A. Steve Paxton B. David Gordon C. Douglas Dunn D. Trisha Brown Answer Key A Question 12 of 2 3     Score 2   (of possible 2 points) Merce Cunningham is known for oftentimes collaborating with new wave composer A. Scott Joplin B. George Gershwin C. John Cage D. Sergei Rachmaninoff Answer Key C Question 13 of 23     Score 0   (of possible 2 points) Which choreographer rebelled against what he viewed as the modern dances preoccupation with self? A. Paul Taylor B. Merce Cunningham C. Alvin Ailey D. Alwin Nikolais Answer Key D Question 14 of 23     Score 2   (of possible 2 points).Although the thoroughgoing experiments of the 1950s, 60s, and 70s have been abandoned or softened with time, their allude has had which of the following effects on our conceptions of dance today? A. thither is now much latitude in the types of movement principally accepted as dance B. there is more freedom of choice in choreographic method, performing style, costume, performing space and ot her elements of presentation C. it helped dissolve the myth that a dancer had to be practised practically from the cradle D. all of the above Answer Key D Question 15 of 23     Score 2   (of possible 2 points).Louis Horsts follow-up of Paul Taylors program sevensome New Dances, published in Dance Observer of November 1957, consisted of a blank space. True False Answer Key True Question 16 of 23     Score 2   (of possible 2 points) Which choreographer used everyday movements such as walking, running and sitting an objective reminiscent of Isadora Duncans? A. Paul Taylor B. Lucinda Childs C. Anna Sokolow D. Martha Graham Answer Key A Question 17 of 23     Score 2   (of possible 2 points) Merce Cunningham has been recognized during his lifetime as one of the most innovative and influential choreographers of the 20th Century.True False Answer Key True Question 18 of 23 &nb sp   Score 2   (of possible 2 points) Who verbalise I want man to be able to identify with things other than himself. We must give up our navel contemplations long enough to take our place in space. A. Meredith Monk B. Alwin Nikolais C. Twyla Tharp D. David Gordon Answer Key B Question 19 of 23     Score 2   (of possible 2 points) The artists involved with Judson Dance Theater were avant-garde experimentalists who embraced the confines of Modern dance rehearse and theory. True False Answer Key False.Question 20 of 23     Score 2   (of possible 2 points) Cunningham sees southward and arbitrariness as positive qualities in making dances because they are never conditions of real life. True False Answer Key False Question 21 of 23     Score 2   (of possible 2 points) Who choreographed the radical work, Duet (1957), in which he and his pianist remai ned motionless for the duration of the dance, which was attended by a non-score by John Cage. A. Merce Cunningham B. Paul Taylor C. Gene Kelly D. Mikhail Baryshnikov Answer Key B.Question 22 of 23     Score 2   (of possible 2 points) Who said NO to spectacle no to virtuosity no to transformations and magic and make-believe no to the glamour and favourable position of the star image no to the magisterial no to the anti-heroic no to trash tomography no to involvement of performer or watcher no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved. A. Yvonne Rainer B. Twyla Tharp C. Alvin Ailey D. Mikhail Baryshnikov Answer Key A Question 23 of 23     Score 6   (of possible 6 points).Please match the following descriptions with the correct answers Match Choice 1. both major ballet companies in Soviet Russia initially known in the mid-twe nties and 30s to encourage a predilection towards drama for political purposes. take aim A. B. C. A. Kirov and Bolshoi Ballets 2. In communication channel to the Ballet Russe companies, with their cosmopolitan roster and everlasting touring, several companies in England began to develop a smaller scale national indistinguishability in the 1920s and 30s Select A. B. C. B. Ballet Rambert and Sadlers rise up Ballet 3.After Diaghilevs death in 1929, and his company had disbanded, its name and heritage were claimed by two rival companies. Select A. B. C. C. Basil Ballets Russes and Ballet Russe de Monte Carlo Answer Key 1 A, 2 B, 3 C Part 1 of 1  Multiple Choice     Score 50   (of possible 50 points) Question 1 of 25     Score 2   (of possible 2 points) Although Alvin Ailey is usually classified as a modern dancer, he often employed the hybrid form of modern ballet in works created for his multi-racial group, the Alvin Ailey American Dance Theater.True False Answer Key True Question 2 of 25     Score 2   (of possible 2 points) Life, death, and metamorphosis are _______s  principle themes. A. Butoh B. Tanztheater C. Minimalism D. hip-hop Answer Key A Question 3 of 25     Score 2   (of possible 2 points) Which choreographer of the Royal Ballet, produced many evening-long dramatic works including Romeo and Juliet (1965). A. Kenneth MacMillan B. Sir Frederick Ashton C. David Gordon D. Yuri Grigorovich Answer Key A Question 4 of 25     Score 2   (of possible 2 points)When did modern dance choreographers first begin to set pieces for ballet companies? A. early 1930s B. late 1940s C. mid 1950s D. early 1970s Answer Key B Question 5 of 25     Score 2   (of possible 2 points) Which organization, established in 1984, has encouraged many Americ an dance companies to take new risks by funding their collaboration with progressive choreographers? A. The bow out a Risk Foundation B. subject area Endowment for the Arts C. The National stage dancing Project D. none of the above Answer Key C Question 6 of 25     Score 2   (of possible 2 points)Twyla Tharp has been a favorite customer choreographer and has mounted works for American Ballet Theatre featuring the Russian premier danseur ________________. A. George Balanchine B. Alexander Gudunov C. Michel Fokine D. Mikhail Baryshnikov Answer Key D Question 7 of 25     Score 2   (of possible 2 points) The term _______ became widely used in the 1970s to describe certain types of peices by visual artists. A. punk B. story ballet C. performance art D. formalism Answer Key C Question 8 of 25     Score 2   (of possible 2 points).Riverdance is a show which presents the tradition al dance form called _______ in a glamorous new package, performed by a expectant and proficient young cast with a high degree of energy and precision. A. baroque dancing B. Ballroom dancing C. accost dancing D. Irish step dancing Answer Key D Question 9 of 25     Score 2   (of possible 2 points) Who choreographed Still/ present which was perceived as the choreographers response to the death from AIDS of his partner Arnie Zane, and his own HIV positive status? A. Mark Morris B. Matthew Bourne.C. Bill T. Jones D. Garth Fagan Answer Key C Question 10 of 25     Score 2   (of possible 2 points) A major offshoot of of modern dance, _______ , arose in Germany and is perhaps best known through the works of Pina Bausch. A. Butoh B. Minimalism C. Tanztheater D. Hip-hop Answer Key C Question 11 of 25     Score 2   (of possible 2 points) _______ is an urban culture created by rap musi cians which encompasses music, dance and fashion. A. Butoh B. Minimalism C. Tanztheater D. Hip-hop Answer Key D Question 12 of 25     Score.