La ci darem la mano a song fro the opera Don Giovanni Essay

La ci darem la mano a song fro the opera Don Giovanni - Essay ExampleThe rhythm of this duet is very much like a train minuet, and in listening, we can imagine the coquettish movements of the female dancers.Mozart established a mood of gaiety and assignation with the accelerating tempo of the duet, even though this scene follows directly on the off stage rape of another(prenominal) young woman by Don Giovanni (Don Juan). The music requires a strong barit peerless for the male dissever and a female voice of strong timbre without losing the light quality required by the art object of Zerlina, who may be strong and certainly quite excitable, but not girlish, as Zerlina, though somewhat innocent, is certainly a woman.The melody begins on a lower story and rises in leaf to add excitement. It is structured like a finely choreographed mating dance. The strong baritone opens with a assuage invitation. Zerlinas reply is finished off with a lovely broken chord to the higher register an d then tempered with a gentle melodic finish. The bridge is a quickening exchange that picks up the tempo and includes a triple reputation for punctuation. As the tempo accelerates the singers overlap each other until they pass away a climax in the music together. Once Zerlina becomes interested in Don Giovannis proposition, she to the highest degree turns the tables on him, quite insistent, and each phrase near the end falls in pitch and gathers strength. The trills bear and become a melodic harmony, followed by short phrases in accelerating tempo. The vocal trills get faster and the final phrase rises and falls quickly in a musical orgasm of wonder harmony.This is definitely one of the finest duets ever written. It almost defies somaification, due to the mixture of styles and the catchy tunefulness of the melody. Some critics point out the differences in class among the characters and cite this as the reason for Mozarts almost fusion opera.When we moved to the lower class cha racters, especially Zerlina and Masetto, we noted some