The Latin Image :: Latin Americans Romance Love Movies Essays

The Latin Image The romantic and erotic Latin go finished implied recognition that Latin Americans and Romance peoples produced persons of great beauty and attractiveness.(Rios-Bustamante,21) The most prevailing stamp that surfaces in The Four Horsemen of the Apocalypse and The Mark of Zorro is that of the Latin caramel brown. This stereotype may be portrayed in a more absolute light because in comparison to other demeaning Latino occasions in early American film, the Latin yellowish brown is characterized by suavity and sensuality, pump and sexual danger.(Ramirez Berg,115) According to Ramirez Berg, this stereotype we owe to ane star Rudolph Valentino.(115) In The Four Men of the Apocalypse, Valentino plays the character of Julio, a man apprenticed to bear the burden of allowing both his grandfather and his father to relive their lives through him. Alexander Walker speaks of the classic scene. Few film entrances are as stunningly designed as Valentinos in The F our Men of the Apocalypse..the ecological succession loses nothing by being so calculatedly staged the impact on audiences was instantaneous. This description shows the impact that Rudolph Valentino had on audiences as the original Latin Lover of the American cinema(even though he wasnt Latino.) Julio is suave and sensual throughout the film, curiously while seductively dancing the tango. Although he is portrayed as this unplayful lover who is worshipped by his models, he is not depicted as a true hero until he offers to fight for his fathers country in the war. It seems as though he actually changes into a man of honor-what anyone least(prenominal) expected from this spoiled son of privilege http//www.mdle.com/ClassicFilms/FeaturedVideo/video16.1.htm In The Mark of Zorro, Douglas Fairbanks plays the role of the dashing Zorro, the almost mythical superhero who battles tyrannydefends the rights of both gentry and canaille equally. This film is a good example of the sensuous, desirable Latin Lover stereotype because Fairbanks is portrayed both with and without his mask. When Fairbanks is playing the role of Zorro, he is strong, valiant, and romantic. The girl is much more attracted to the dashing Zorro, who romances her in her garden one day. When he embodies the character of come in Diego Vega, he acts timid and weak, and has trouble taking Lolitas affection. The much stereotyped Latin Lover image was portrayed altogether by the masked man until the very last scene when Don Diego reveals his identity and protects the woman he loves.